Amy Sillman
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2021
Amy Sillman
By Tausif Noor
Frieze Magazine
Frieze Magazine
Faux Pas Review
By Isabel Mehl
Texte zur Kunst
2020
Amy Sillman: Twice Removed
By Phyllis Tuchman
The Brooklyn Rail
A sentimental botany blooms
By Johanna Fateman
4 Columns
Amy Sillman's Breakthrough Moment is Here
By Jason Farago
The New York Times
Goings On About Town
By Hilton Als
The New Yorker
Artist's Choice: Amy Sillman—The Shape of Shape
By Rindon Johnson
Flash Art
Overcoming Isms Aruna D’Souza on “The Shape of Shape”
By Aruna D’Souza
Texte zur Kunst
2019
Reframing Modernism at the New MoMA
By Andrea K. Scott
The New Yorker
Seating Plan Roulette
By Dan Fox
Frieze Magazine
2018
Amy Sillman: Camden Art Centre
By Rachel Haidu
Artforum
,
Reviews
Abstraction of The Body: Melissa Gordon on Amy Sillman at Camden Arts Centre, London
By Melissa Gordon
Texte zur Kunst
Malerei ist scheußlich
By Catrin Lorch
Süddeutsche Zeitung
An Impossible Language
By Kerstin Stakemeier
Flash Art
The Vicarious Warmth of Amy Sillman’s Paintings
By Nicholas Hatfull
Frieze Magazine
Figure and Ground
By Martin Clark
Camden Arts Centre: File Note
Artisanal Abraction: The Elusive, Effusive Art of Amy Sillman
By Phyllis Tuchman
ArtNews
Goings On About Town
The New Yorker
The Playfully Troubled Art of Amy Sillman
By Matt Mullen
Interview Magazine
2017
After Metamorphoses puts Ovid in motion.
By Ed Halter
4 Columns
2016
Review: Amy Sillman Returns to Figurative Motifs
By Roberta Smith
The New York Times
,
Reviews
Gebt ihr das Rosa!
By Jens Hinrichsen
Monopol
2015
Key to Test Strips
By Eileen Miles
Reviews
,
The Paris Review
The Uncertain Certainty: States of the Art of Painting
By Robert Enright
Border Crossings
2014
Shifting Contexts, Psychodrama and Meta-Works
By Karen Rosenberg
The New York Times
Ed Halter on Amy Sillman
By Ed Halter
Artforum
Statements of Intent
By Mark Godfrey
Artforum
Review: Amy Sillman at ICA, Boston
By Matt Saunders
Artforum
,
Reviews
2013
Triscuits, Film | Best of 2013
By J. Hoberman
Artforum
Witty and bright, Amy Sillman’s work is freshly urgent
By Sebastian Smee
The Boston Globe
Blobs and Slashes, Interrupted by Forms
By Ted Loos
The New York Times
,
Reviews
2009
Painting Beside Itself
By David Joselit
October
2008
Third Person Singular
By Anne Ellegood
Hirshhorn Museum
2007
Fictions of Origin
By David Lichtenstein
Amy Sillman: The Elephant in the Painting
By Linda Norden
Artforum
Signs of Intelligent Life
By Claudia Schmuckli
Catalog Essays
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