Hi everyone! 

My curated collection exhibition at the Ludwig Forum Aachen will continue through May 24, 2026! Some artworks had to be swapped out ‘cuz they reached the end of their maximum display duration, but now we got a cool Robert Morris in place of the Bernhard Blume, an A. R. Penck in place of the Belkis Ayón. We got a Rauschenberg instead of the piece by Jan Haworth. We got some other new stuff too, you can see some of the updates below!

I’m so pleased to be a part of the group exhibition Pharmakon at Chantal Crousel in Paris. Opening friday, January 30! Pictured below: two of my drawings alongside Cosima von Bonin paintings and Félix González-Torres candies! More information HERE.

In a new interview in Frieze magazine, Issue 256, Jenny Harris and I discuss my MoMA show, Shape of Shape, and how it has influenced my recent exhibitions at the Kunstmuseum Bern, Switzerland, and the Ludwig Forum Aachen, Germany. Read the full interview HERE.

Zeena Perkins used a few of my drawings for her latest album, Lament for the Maker, which is available for purchase digitally or as a compact disc HERE. The album contemplates the closing of Mills College, and as she puts it, “I requested of my colleagues works I could perform to mark this loss, honor the school’s great legacy, and conclude the thirteen years I spent teaching there.”

I made 13 pages of cartoon/collages for the humor section of the amazing Alphabet publication! Available for purchase online HERE, or ask your bookstore to order it! It’s gorgeous!

Minute Cinema: 4 videos for 4 seasons is opening in Berlin at Capitain Petzel on Friday, October 31! A presentation of all four videos from my Minute Cinema series, featuring sound scores by Marina Rosenfeld. The final video, Winter: Abstraction as insomnia, will be shown there for the very first time. That’s in the downstairs space and upstairs is the great Matthew Lutz-Kinoy. More information can be found HERE.

 

I’m very glad to be included in the exhibition ECHO DELAY REVERB: American Art, Francophone Thought at the Palais de Tokyo in Paris. Pictured below: my painting Sad Meets Mad (2021) beside Tom Burr’s great installation—black circles! The exhibition runs from October 22, 2025 through February 15, 2026. More information can be found HERE!

My conversation with Wayne Koestenbaum for Mousse, Italy is now online! From the introduction: “On the occasion of Oh, Clock!—Amy Sillman’s first major solo exhibition in Germany, on view now at the Ludwig Forum Aachen—the New York–based painter joined writer, artist, and longtime friend Wayne Koestenbaum for a conversation that begins with a reflection on the emotional dirtiness of their artistic processes…Together, Sillman and Koestenbaum explore language, speech, and the shame spirals tied to their respective bodies of work.” Read the full conversation HERE!

My exhibition “Alternate Side: Permutations 1-32” opened at Dia Bridgehampton June 28 and will be up for almost a year—a painted/printed/drawn improv space made the same way I treat paper when printing. & it will be painted out after it’s over! You can find more description and info on Dia’s website HERE and see more images in the “Exhibitions” section of my website HERE.

 

Check out this interview that I did with Mara Veitch from Cultured Magazine, in advance of my upcoming show at Dia Bridgehampton. You can read the full article HERE!

I will be joining Eric Fischl and Jordan Carter in conversation at The Church, Sag Harbor on Sunday, June 29, 3:30-5:00 pm. It’s currently sold out but you can add your name to the waitlist HERE.

I was featured, along with many other talented artists, in the Hamptons issue of New York Magazine. Look at Emma!

I sat down with Jordan Carter for a conversation for Luncheon Magazine that is in print now! On the occasion of my forthcoming show at Dia Bridgehampton, we discuss my intertwined explorations in video, drawing, printmaking, and painting, as well as my thoughts on improvisation, jazz, dance, and the legacy of Dia. Read the entire interview HERE.

At Thomas Dane, Naples—Push Me, Pull You, curated by Jenni Lomax! May 27 – September 27! From the Press release:

 

“Featuring works by nine artists from past and present generations, Push Me, Pull You arrives out of a conversation held in 2018 with the artist Amy Sillman. The note ‘pushing to the edge, pulling back from the brink’ arose from a discussion about painting in general, and the artist Prunella Clough in particular. What connects the artists in this exhibition is the sense that they think and – to quote Clough – ‘fight’ with their materials. By taking things emotionally and physically to an edge, before bringing them back into view, each artist allows shape, imagery and atmosphere to emerge. They therefore build a conversation that goes back-and-forth between the materiality of the process and something drawn from the back of the mind or caught out of the corner of the eye.”

 

– Jenni Lomax, 2025